Past Deadline

The Front Page: September 3, 2008

By Randee Dawn

So, Gustav has dialed himself back, and the real show can now get underway: The Republican National Convention. Conservatives and media all over St. Paul are wiping fevered brows that the news, as they expected it, can continue.

Our Paul Gough is down there and today reports on the latest way the Internet is pwning the MSM: Twitter and blogs. And it's a continuing battle between what grabs an audience interest and what keeps them reading and gets them talking. Writes Gough, "Nina Easton, Fortune's Washington editor and a Fox News contributor, said that gone are the days of the Richard Ben Cramer-esque long magazine-style pieces on the candidates. 'Nobody reads them. It's not the water cooler conversation. The water cooler conversation is what happened in the last second.'" Meanwhile, in this corner, Gough continues, "Politico chief political columnist Roger Simon, a pioneer political blogger, said that 50-word blog entries can't capture the entire issues of the environment, health care and other important topics."

Which is true. We've all got short attention spans -- look! shiny! -- but it's hard to imagine any actual progress or insight obtained in soundbites or 50-word stories. Balance, people, balance! And maybe a little focus.

Speaking of people who have short attention spans, today Shannon L. Bowen's article leads off the fantastic Showbiz Kids section of the magazine, with a discussion of how talent agencies are going after clients (natch) and also the best agents around. UTA's Mitchell Gossett notes, "The industry to some extent is shrinking. There are fewer jobs. So like General Motors did, you just swallow up your competitors as much as you can." There's also a list of the top 25 shorties who are "shaking up Hollywood" put together by Denise Abbott and Irene Lacher, which is grouped into "The Oscar Darlings," "The Drama Queens," "The Method Actors," "The Comedians," "The Next Big Things" and "The Musicians." Though in the case of The Jonas Brothers, that should have been The "Musicians."

And finally, "In A World" will never sound the same, now that we've lost the sonorous severity of Don LaFontaine's baritone, as Barry Garron writes. Fontaine was one of the great trailer/voiceover actors and was taken away too soon, at age 68. Here's a fantastic clip created by Aspect Ratio and used at THR's Key Arts awards a few years back which got all of the great voiceover men in the room (well, in a limo) at once, and proved they were also fantastic sports. To me, LaFontaine was the star of the piece -- which is enjoyed by those in the industry and out, based on the hit count. Enjoy -- you'll be missed, sir.

The Front Page: September 2, 2008

By Randee Dawn

Mark Urman, you'll be missed at ThinkFilm. Mark's one of those great guys who always makes himself available and always has salient, interesting things to say -- and according to Steven Zeitchik and Gregg Goldstein's article today, he has now decamped from his longtime home at Think to "take the post of president at the revamped Senator Entertainment U.S." In some kind of amusing twist, Senator is producing a film (with Samuel L. Jackson) called "Unthinkable," which is what I'd have told you before today about Urman's departure. However, notes the article, this really says more about ThinkFilm than anything else: "Despite a track record of quality and creative marketing since its inception, ThinkFilm has faced financial troubles, and was sold two years ago to Capitol Films entrepreneur Bergstein."

Another person of interest, Gregg Kilday, uses his Take Two column today to note that whatever movie seems to come out these days, "someone, somewhere, is lying in wait, preparing to launch a protest." Between the self-appointed arbiters of reason who went on the attack for releasing "Disaster Movie" on the third anniversary of Hurricaine Katrina and those who took offense at "Tropic Thunder's" coining of the phrase "going full retard," it is true that the PC wagons circle just about every film made these days, and as Kilday notes, "the media is only too happy to rush in to cover the 'controversy.'" There's even a shortlist of films you may have forgotten drew protest -- including "Shark Tale." Apparently it was protested by Italian-Americans, who said it characterized Italians as gangsters. Do sharks have ethnicities?

The Front Page: August 28, 2009

By Randee Dawn

And then there are those days when a doctor's appointment just makes the whole day run a little later, so just try and excuse the lateness of your friendly neighborhood Front Page.

So let's get down to business.

First off, Kevin Cassidy is my new hero because he's got a Music Reporter column today which turns on the tin ears of (most) Republican and (some) Democratic candidates who try and co-opt songs for their campaigns. If you ever needed to know just how many "yes" men are surrounding a campaign, take a listen to the song used for the campaign's anthem -- because that number is directly disproportionate to the likelihood that the candidate a) listened to the song and b) has any idea what the lyrics mean. Notes Cassidy, "Republican strategists would be wise to concede a point that has become abundantly clear over the years: By and large -- with the notable exceptions of Ted Nugent and Alice Cooper -- rock stars don't like you. Why they don't like you should be plenty obvious: You're the Man. We know you don't like to think of yourselves that way, but when you own seven houses, golf, wear $500 loafers or travel by a private jet, that pretty much makes you the Man by default. You're better off just accepting this fact and abandoning attempts to show us how cool you are because you like Springsteen." Hear hear! (Or maybe, try to start listening, rather than just hearing.)

Second: this may be the first time in 20 years I tune in, but I'm going to check out "Saturday Night Live" on Sept. 13. Why? Michael Phelps is going to host, according to James Hibberd, who writes: "Though it might seem like an awkward pairing, several professional athletes have hosted the show in years past (Wayne Gretzky, Tom Brady, Peyton Manning)." And, of course, it's great synergy.

Here's my prediction: He'll swim laps around everyone. People who don't think he's funny are all wet! (All right, all right, enough. But please, oh, please: Bring back the Olympic sport of Men's Synchronized Swimming, even if for just one night!)

The Front Page: August 27, 20008

By Randee Dawn

Watch out what you say on the Internet. And especially watch out what you Twitter. (Can we now use "Twitter" as a verb?) Apparently AMC managed to outrage "fan-penned feeds" using character names and alleged "voices of 'Mad Men' characters." Fans of the show could sign up for updates from virtual Don Draper or Peggy Olson, for example, but when the Twits (Twitterers?) behind the voices appeared to be promoting products other than the show, AMC decided it was time to have a sit-down chat with its Virtual Twits. Twitter, however, yanked the accounts, and melee ensued, as it often does, on the Web, as James Hibberd reports.

Elsewhere, Wednesday's issue features an "Anatomy of a Hit" -- not on a TV show as is the usual fare, but on "The Dark Knight," a film I really, really should try to see before it leaves theaters. Alex Ben Block today examines just why this film has become such a juggernaut -- everyone thought it would do well, but not this well. "No one could have anticipated this kind of success," says Warner Bros.' Alan Horn. "It surprised us. And, once in a while, it is kind of fun to be surprised on the upside." An $871.5 million box office cume worldwide is a surprise I'd like to wake up to, also.

And finally, in the continuing saga of the Democratic National Convention, Elizabeth Guider reports from Denver, highlighting Day 2's Hollywood angles -- including a speech by Lifetime CEO Andrea Wong, who spoke to about 1,500 delgates at the Women's Caucus. "This is the culmination of an incredible journey: Less than a century ago, we didn't have the vote. Now we can vote for one another," she said. Meanwhile, actress Anne Hathaway made me wonder why all of us actually do get to vote -- she was at a jazz brunch "to honor old-guard civil rights activists," representing the Creative Coalition. Her statement? After hanging out with the old guard and politicos, she noted, "I'm getting smarter by the minute."

Time can't move fast enough.

The Front Page: August 26, 2008

By Randee Dawn

Out in Denver, Michelle was wowing them in the aisles, Ted was bringing down the thunder, and Jon was ... the voice of mediation?

Yes, according to Paul J. Gough's report from Denver, "The Daily Show's" Jon Stewart held a press conference Monday and noted he didn't mind who won the presidency: "The jokes will be there, I'm confident," he said. "I think they would both be decent presidents." And then he added, either one would be better than the Bush-ocracy, saying either candidate would "govern from a place that is far less imperious." Amen to that, brother.

Meanwhile, James Hibberd has another television take, parsing NBC's "Olympics success story," according to the headline in his Inside the Box column. He notes six important things: The network ain't broken, you gotta spend money, online is important but telecast is still king, don't lie, ducking controversy works (or at least doesn't hurt), and go big in research. Of course, that thing about controversy as something to be avoided might not exactly leave a good taste in some mouths. Writes Hibberd, "NBC figured its job wasn't regime change but instead to broadcast the Olympics the best way it could amid sometimes trying circumstances and keeping quiet publicly -- sometimes painfully so -- while fighting for access behind the scenes." Yes, it may not have been their job. It may have -- shock, horror -- turned off some advertisers. But I bet there are plenty of viewers who were expecting a little more to emerge from beneath the Peacock's finely groomed feathers. They had the power to do a lot more than they did, and chose not to exercise even a little bit of it. Hope it was worth it, folks.

And finally, Craig Rosen reports in on what was surely one of the best shows of the year -- not the convention, not the Olympics -- but of Radiohead performing at the Hollywood Bowl. "Over 7,000 fans lucky enough to score a ticket ... witnessed not only a band at the top of its game but an act that at times seemed to be the best on the planet," he notes. I've seen this band, and they really are electrifying, even on songs you may not be so familiar with. (I'm glad they feel comfortable enough to excise "Creep" from the setlist, but that is an amazing song to hear live.) Can we maybe give them a gold medal?

The Front Page: August 22, 2008

By Randee Dawn

Yes, yes, I know it isn't all about me. (Hard as that is to comprehend.) But as I've mentioned to friends for years, whenever there's a new Bond film, it comes out right in time for my birthday. Well, when I obsessively checked out the trailer for the (dreadfully-titled) new Bond flick, "Quantum of Solace" a few weeks back, I was surprised to see it was coming out Nov. 7. As I well know, my birthday is November 15. So thanks, Sony! Carl DiOrio's article today informs me that they clearly have heard my psychic pleas and will now be opening the film on November 14. Apparently I can thank a certain fictional young magician: "'Harry Potter' moving out gave us an opportunity to get a little closer to the holidays, which has always been the traditional Bond spot," Sony worldwide marketing and distribution chairman Jeff Blake told DiOrio. "Bond has a really good history of not only playing through Thanksgiving but going deep into the Christmas holidays." Now, if Sony would just mail me Daniel Craig, I'd be all set.

In other areas that aren't about me, the "clubhouse for guys," Spike TV, is turning 5. Ah, how they grow up fast -- it seems the network was just a testosterone-laden baby a mere few months ago. "The challenge I came into was how to take an emergent brand and give it some real buzz," Spike's Niels Schuurmans tells Ray Richmond. "We had off-network runs of 'CSI,' we had WWE wrestling, and young guys already loved us. What we didn't have is a strong brand voice and personality. We made the decision to position Spike as a place that speaks to guys the way guys speak to guys, with honesty and no bullshit. And that ultimately led to going with action and identifying ourselves as being edgy and taking chances, but getting away from the whole 'Stripperella' vibe."

The Front Page: August 21, 2008

By Randee Dawn

So there's this thing called the Olympics, right? You may have heard of it. Going on in China, Beijing, I think -- and there's approximately eleventy-billion hours of it on NBC, another thing you might have heard of.

Cable viewers couldn't care less: They've got "Monk." And "The Closer." And "Burn Notice." This, according to Kimberly Nordyke, who notes that despite everything, "Summer 2008 may have generated as many ratings headlines for cable as last year, when  Disney Channel's 'High School Musical 2' blew away viewership records. TNT's "The Closer" even has numbers -- a 7.3 share -- that some broadcast shows can't approximate. NBC may be getting all of the headlines, but that little box atop your TV set is starting to command some serious attention.

Not that NBC's hurting; despite Michael Phelps being finished for this years Olympics, NBCOlympics.com on MSN "has set records for uniques, page views and streams" and "attracts an average of more than 6 million users daily, who spend nearly 15 minutes per visit and spend 20 minutes when consuming video, according to NBC," writes Barry Janoff. The official Olympic site -- Beijing2008.cn, by comparison, is getting 930,000 visits per day. Between cable and the internet, broadcast just can't seem to catch a break.

The Front Page: August 20, 2008

By Randee Dawn

Old scribes, rejoice! Your battle has been won. Well, at least over at ICM, which according to Leslie Simmons, is going to settle the "8-year-old class action discrimination lawsuit filed by TV writers who claim they were squeezed out of jobs because of their age." The suit was filed against networks, production companies and agencies, and apparently agents are to blame because they "abetted networks and studios in the discrimination by refusing to rep them or refer older writers to production studios." The writers are going to get $4.5 million, which isn't paltry but surely isn't enough to cover everyone -- so they'd better start hoping the rest of the deck of cards falls pretty soon. The thing is, as always, the ones who really come out on top? The lawyers.

Another entry in the "Why, Oh, Why" (or, as I'm thinking of calling it, the YOY) category has surfaced, writes Jay A. Fernandez: MGM is remaking the 1982 film "Poltergeist," which will be written by Juliet Snowden and Stiles White (who are married). "We don't want to do horror karaoke," White told Fernandez. "We want to do a really cool cover version of a song that everybody loves." Of all the films -- "Poltergeist"? Yes, the maggoty chicken and face-peeling scared the bejeebus out of me when I was a kid, and I remember even reading the book version. But why would you want to step into that potential pit of odd-but-deadly-coincidences? Does no one remember the Poltergeist Curse?

Be prepared to check your closets again.

Finally, Eric J. Lyman writes the best story of the day for "Clips": A "leading Italian medical group" wants broadcasters to stop airing such shows as "ER" and "House" because "these programs ... are spreading misinformation." Apparently they're just not accurate enough, and could be leading viewers to assume certain medical details that just don't exist. This also in: The Italian group wants soaps off the air for being inaccurate about relationships, cop dramas gone for not dragging the legal process out long enough, and "Sesame Street" knocked off because Elmo does not exist in nature.

The Front Page: August 19, 2008

By Randee Dawn

Let's see ... Hollywood is decamping for the Rocky Mountain part of the U.S., where there will be exclusive parties and genuine stars, a lot of schmoozing and -- hey, who moved Sundance?

Oh, wait: As Elizabeth Guider and Paul J. Gough point out, it's only Denver and it's "only" the Democratic convention, which officially kicks off on Aug. 25 but already has the city buzzing with, well, buzz. They write: "Celebrities expected to attend at least some of the events in the Mile High City include Ben Affleck, Josh Brolin, Annette Bening, Spike Lee, Anne Hathaway, Susan Sarandon, Richard Schiff and Kerry Washington. Among the likely execs on hand will be Sony's Michael Lynton, DreamWorks' Jeffrey Katzenberg, Endeavor's Ari Emmanuel, producer Lawrence Bender and Comcast's Jeff Shell -- all of whom have served on Obama's National Finance Committee. And because it is in Denver, the home of the country's key coterie of cablers, companies like Starz are among those that intend to make the most of their host perch."

Just watch out for the altitude, folks. It's a doozy if you're not prepared, much like the convention itself.

GM has gotten itself off a high perch as a sponsor for the Oscars and Emmys, hoping to save money on ad spending, according to Steve Miller. Notes rep Kelly Cusinato, "The Emmys [also on ABC] and Oscars are prestigious events, and the decision to release them was a difficult one-especially after over a decade of involvement," Cusinato said. They're sticking with the Globes, Grammies and Country Music Awards -- but the industry's real showpieces are going to have to hunt around for some extra cash come September and February....

The Front Page: August 18, 2008

By Randee Dawn

As James Hibberd notes today at the start of his article, "It was only a matter of time." Yup: The Food Network has now officially recognized what I consider to be probably the most offensive pseudo-sport out there -- Competitive Eating -- with its own project (uncleverly called "Eat the Clock"). I'm all for a good hotdog chowdown on July 4, but the idea that this is a game Wii is developing (or has developed) and that now a cable network is giving it credence -- gah. Enough to give you an upset stomach.

Though, admittedly, this may be the only time Food Network and ESPN could share some cross-promotional content.

Almost more baffling: Why hasn't anyone bought Heath Ledger's final film, "The Imaginarium of Dr. Parnassus"? Steven Zeitchik wonders that same question with an article today. "On the one hand, it's a chance for the history-making opportunity -- not to mention a marketing coup -- of releasing Ledger's last movie," he writes. But, notes one distribution executive, "In this market, unless I have a reason to think a movie like this is going to be a slam dunk I'm not going to take a flyer on it, even with Heath Ledger." C'mon, folks. If nothing else, director Terry Gilliam deserves another shot.

And finally, today is the final Emmy Wrap issue -- so your collections can now be complete. This issue features comments from nominated showrunners and producers about the episode they submitted to the nomination committee, and it is interesting to see the logic behind the process: As with "House," backstory is one of the major obstacles a show like "Lost" has to overcome. "We can't make stand-alone episodes, so we went with the one we felt was our best work and decided we would live or die by it," explain writers Damon Lindelof and Carlton Cuse in an email. "'The Constant' was a very complex episode that involved consciousness traveling. Instead of our normal two-week story break, it took us five weeks to break the episode. The challenge was to do something that involved a lot of trippy mythology, but not lose the viewer in a morass of exposition. We worked very hard at finding an emotional through-line for the story, and at keeping the story at all times pointed toward our emotional ending -- the reunion of Penny and Desmond."